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Sergey Kuznetsov was born in 1978. He began his professional music education in
Moscow Special Gnessin School of Music in Valentina Aristova’s class. Upon finishing the
school Sergey had studied m Moscow Tchaikovsky Conservatory in Mikhail Voskresensky class.
Since 2001 he has completed his education at postgraduate courses in Vienna University of
Music in Oleg Maisenbergs class.
Sergey Kuznetsov actively concertises with solo recitals concertos and chamber
music in Russia, Japan and various European countries. In the concert course he cooperates
with prominent artists and orchestras such as Tchaikovsky Symphony Orchestra of Moscow
Radio and Schostakovich String Quartet
Being a laureate of International piano competitions in Italy and Andorra Sergey
Kuznetsov has taken part in International music festivals in the Russia Italy and Japan.
Brahms -
Fantasien op.116
These pieces created on the decline ot romanticism and at the end of Brahms life
have summed the whole history of Romantic musical miniature Retaining in the meantime the
freshness of phrase and truly sincere feeling they have become an embodiment of
remembrance lyricism
Complete perfection utmost mental concentration and combination of classical form
clarity with romantic freedom of expression all witness the traits inherent in late Brahms
style and the concluding importance of the present cycle in Brahms creative work
Liszt -
Sonata in  minor
Written in
1853 at the peak of Liszt 's creative work the Sonata in  minor stands apart among his
piano heritage It is by right considered the most symphonic of Liszt 's works this telling
upon both its scale and image development In construction the Sonata relates to his one
movement orchestral works while its philosophical aspects near it lo Liszt 's Faust
Symphony Thus it has not by accident become one of the pinnacles of world piano literature
the pearl of the repertoire of perhaps all outstanding pianists
Scriabm -
Sonata No. 3
One of the
frequently heard and best known Scriabin’s works his Sonata No 3 m F sharp minor
completed in 1897 is a bright sample of Scriabin’s use of the sonata symphony cycle as
the most complex and flexible one for realizing his creative world It represents the
pinnacle of the first period of Scnabin’s creative work that was denoted by G. Neuhaus
as the time of transformation of a genial ; young man into a giant of world music
Combining the utmost degree of passion with highest extent of composer s mastery the
Sonata fully reflexes Scriabin’s personality genious inspiration emotional tension and
spontaneity as well as musical beauty and harmony being immanent to it Its tour movements
tightly connected by the common thematic and rhythmic matter embody complete architectural
unity culminating in the end with a run from the depth to rejoicing acme averring
volitional basis inherent to Scriabin
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